| Author | |
|---|---|
| Translated by | |
| Imprint | |
| Publication Year | 2008 |
| Language | English |
| Edition | 1st |
| Binding | Paperback |
| Pages | 162 |
Shesha
$16
About the Book
Flesh Tint Like a painting by Velazquez A woman stands Alone in the frame Touched by the brush of light Blossoming. How did Flesh Tint reflect Naples Yellow In this greenish blue room? What made the sun Suddenly rise on the palette?
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As Is, Where Is
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Lost Images (For Ashay) I am backing home where you died. One year later, to find Changes that mask our surrender To the inevitability of life. I remember my Ambulance Ride With my friend whom you called Daddy. It took me a whole year To under
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The Bombay Quartet
$16About the Book
Jayant Deshpande was born in India in 1952, but lived abroad for many years before returning to India in 1984. He was educated in India, Africa, and then largely in Canada, where he graduated from Western University and the University of Toronto. His interests include music, photography, literature and translation, science, philosophy as well as essay writing. Since 2002 he contributed to the Mumbai-based quarterly New Quest and was later its assistant editor till 2010. He has published his English translations of selected short fiction in Marathi by Dilip Chitre, Bhau Padhye and Baburao Bagul.
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Says Tuka-Selected poems of Tukaram
$18About the Book
1938″2009 was an outstanding bilingual poet Marathi and English, fiction writer, translator and critic, with numerous publications, honours and awards to his credit. In particular, he won the Sahitya Akademi Award 1994 for Ekoon Kavita ” 1, his book of Marathi poems, and the Sahitya Akademi Translation Prize 1994 for Says Tuka Penguin Classics, 1991, his English translation of Tukaram?s selected verse. From 2002 to 2009 he was honorary editor of the quarterly journal New Quest. He was also a recognized painter and film-maker.
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Last-Ditch Ecstasy
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Adrian Grima in collaboration with his talented and unusually resourceful translator, Albert Gatt – has produced a rich and memorable compilation of poems. Their geographical and emotional stew is international in its flavours yet always Maltese in its complex marinations. Grima succeeds in being – and these are potent combinations – both lyrical and true-to-life, both tender and unblinking, both comforting and challenging. His collection is a thought-provoking joy.- Jim Crace
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Frazil
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Banaras And The Other
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The Cosmonaut in Herge’s Rocket
$3‘In this collection, Arjun Rajendran is unapologetically cosmopolitan, yet rooted in the gritty’
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Mutatis Mutandis
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Through sex-dolls and addictions, for whom poetry can be just another narcotic throbbing in your vein. Khandekar’s man has stretched himself to the limits of the Machiavellian primate, modifying his behaviour and absurdum to fit in with the changing patterns of a world spinning out of control on the wheel of progress. Meet the ghost in the machine Sanjeev Khandekar’s poetry grins impishly, then socks you in the eye. It makes you feel horns on your head and inspect your skin for green stripes. Khandekar breaks conventions of belief, language and genre to offer a world with no certainties, where you are just a gob of self-awareness floating in a matrix of virtual reality, mutating every moment to balance your inner needs with social expectations. You are the Mutatis Mutandis Man the human ‘with necessary changes’ carried out the modified man tossed between inscrutable science and enigmatic religious faith, the creature who gropes for love and creativity that may lure you towards self-destruction. Meet Khandekar’s Monster and see if he seems familiar.
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